Tag Archives: Hella


face tat
Zach Hill
Face Tat, 2010

More toe-cutting and thumb-busting today with an idiosyncratic Zach Hill banger. This is the stuff I love most, when experimental artists wrangle their sound into something vaguely resembling songwriting. Face Tat is full of this approach — nontraditional electro/rock hybrids with verses, choruses and weird lost bridges. The pop-friendly pieces are all here, you just gotta look for ‘em. Hill is best known for Hella and Death Grips but his solo material has always been my favorite, and I still play this one regularly 5 years on.

[audio https://dl.dropboxusercontent.com/u/14312140/03%20Ex-Ravers.m4a]


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“On Molasses Lake (Treading)”

Roadside Monument
Split EP w/ Puller, 1997

Roadside Monument were a ‘90s math-rock band that played without the clean precision of a Don Caballero or Hella; their murky, detuned wanderings fell more along the Shellac/Jawbox end of the spectrum (fitting, as Bob Weston and J. Robbins both engineered records for the group). As a dedicated 3-piece seemingly un-enamored of overdubs, they were limited in range but excelled with what they had. I suppose their album-length high water mark would’ve been 1998’s I Am the Day of Current Taste (best song title: “OJ Simpson House Auction”), but my personal favorite is EP orphan “On Molasses Lake,” which steadies the band’s erratic impulses just long enough to allow two very indie, very ‘90s verses to take hold. After that of course comes the requisite explosion: surging guitar, syncopated drumming, and a dramatic cry of “May we not be forgotten!” Doing my part to make that happen.

[audio https://dl.dropboxusercontent.com/u/14312140/03%20On%20Molasses%20Lake%20(Roadside%20Monument).mp3]


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